Philadelphian producer and genre cross-pollinator Starkey teases us before the release of his album ‘Ear Drums and Black Holes’ with this excellent single.
It follows his recent mind-blowing session on Radio One’s Mary Anne Hobbs show where he built a track during the show from scratch (with the help of Anneka and Reso) which ended up with other daytime Radio1 DJs scrambling to play it.
Well, here’s what happens when they have more than one hour to do a track; ‘Stars’ is a tender lullaby, dedicated to getting lost in the wonder of the cosmos. On vocals is Anneka Warburton, a singer whose crystal clear but very tender voice curls perfectly around Starkey’s graceful washes of synth and emotive effects. The song is the sort of experience that could happily last forever. The song gently builds, only to come down to earth softly in just over 3 minutes.
Slugabed does a remix, he’s an artist who’s on everyone’s lips right now and he gleefully shatters the song into fragments but keeps the melody just in shape, before bringing it all together in his unique style when the drums and bass drop, threshing the whole thing up.
The B-side features two exclusive tracks. ‘Starting Gates’ starts gently before dropping into a huge hoover rush of lumbering synths, off beat soul claps, and a gently building soulful melody before it drops again, giving you just enough time to recover from the first time around.
Millennia sounds like it’s influenced by the cosmic sounds of 70’s Germany as much as any dubstep, as it bends glacial melody lines around epic strings and fluttering electronics, gently building into tight synthfunk and dropping back to a vocoder-like bassline, before ending on deep 808 pads and restful oceanic noises.
supported by 5 fans who also own “Stars (ft. Anneka)”
Burial fully realises the ambient aspects of his work that he has been leaning towards over the past few years. Whether you like it or not, you can't deny that this is undeniably Burial. Kutkh_Jackdaw
supported by 4 fans who also own “Stars (ft. Anneka)”
This album was another one of the truly important moments on Om Unit's path as an artist. He's way transcended being the turntablist master from his 2Tall days, the footwork jungle edit sensation that his Philip D Kick moniker is or other junglistic pigeonholing his Om Unit might have been subjected to. He's grown into his own self (see what I did there?) as an artist and doesn't need to prove anything to anyone anymore. And I for one am always curious what he brings us next <3 Alegria